OUR WORKS

The stories of “Flower fairies” come from the Tang Dynasty (618-907). Rumor has it that the 12^th of February in the Chinese calendar, is the birthday of all flowers and every year on this particular day, people worship the flower fairies with liquor, bouquets and hire troupes to perform the different stories that come with each individual flower fairy. In accordance with ancient tradition, people celebrate the flower fairies’ birthdays in order to wish for prosperity, wealth and good fortune. 

Flower enthusiasts, lovers and literati of all dynasties wrote spectacular poems and moving legends for the various kinds of flowers, and hence created a flower fairy for all 12 months of the year. One of these poems explains that although flower fairies all have different personalities, they all share the common goal of protecting mother earth. According to the Chinese calendar, January is represented by Plum and Bamboo which symbolizes endurance and integrity; April is Peony and Orchid which symbolizes prosperity and elegance; June is the Lotus which signifies purity; November has Narcissus and Camellia which embodies an auspicious life and pureness, and so on. 

Many windows of traditional Chinese architectures are generously ornamented. Mostly constructed of hand-carved wood, Chinese lattice design is characterized by cultural symbols and repetitive use of geometric patterns.

Paper Cutting is a Chinese folk art of a long history. The art of cutting paper, prepared wholly by skillful manipulation of scissors, can easily be found in Chinese décor, especially during festive times like Chinese New Year.

Chinese Fans are made in many different styles and form an excellent medium to illustrate the artistic spirit of Chinese design. Dating back to the Shang (1600-1046 BC) Dynasty, a fan made of pheasants' feathers was the first to be recorded in China. Round fans, made of silk, paper and feathers, were first seen in China and remained the main shape of fans until the Tang and Song dynasties.

It was a symbol of social status and also of taste in fashion. Fans are used in decorative art: papers for fans are printed, mounted and framed like pictures. Many of the artists of the Song (960-1276 AD) and later dynasties were fond of painting miniature landscapes and floral studies on one surface while drawing fancy calligraphy on the other.  

YEWN’s latest Floral Fan Collection is dedicated to this distinguished artistic creation. Framed in 18k black gold, brilliant cut diamonds and rose cut diamonds add to its shimmer.  

Lock is an auspicious symbol in Chinese culture, wishing for good health and longevity.

Imperial jewellery was the most delicate part of imperial costume. The most frequently used precious gems like pearl, jadeite, tourmaline, coral, ruby, sapphire and so forth, were set in gold and silver.

The peony, the flower of wealth and honor, is the symbol of prosperity in Chinese culture. The peony’s large petals and showy color make it “The King of Flowers”.

Yewn’s Manchurian Collection pays tribute to the Manchurian cultural heritage.

In the Manchu language, “Abkai Wehiyehe” means “ Blessed by the Heavens” and was the name of Qing Dynasty emperor Gaozong, whose reign was called Qianlong. Born in 1711 and passing away in 1799, his life spanned much of the Eighteenth century.